The character animation is splendid, the best I've seen in any 2d platformer, bar none. The levels are bursting with colour and fantastically cartoony textures, the backgrounds are amazingly lush, to the point of almost becoming distracting. Rayman advance is quite simply, stunning.
Also, Betilla the fairy will grant you with some extra moves every now and then, like being able to throw your fist at enemies (Rayman has no limbs or neck, his hands feet and head float around his body) or using your ears as a helicopter to float across gaps. Dark has kidnapped the electoons and imprisoned them in cages, journey through the world and collect them. I'll return to my ranting soon, I suppose I'd better mention some stuff about the actual game. Ubi Soft are perfectly competent developers -this game is testament to that- but they just have some horrifically unoriginal games. The platforming genre is in danger of becoming unpopular if third-party developers don't get some god-damn ideas of their own. I can't flame them because they're good, and I can't rave about them because they aren't special. But I'm really running out of interesting things to say about games like this. But times have changed, do we REALLY need a playable enough addition to a genre which hasn't seen ANY notable originality or innovation since Mario 64?īefore I started reviewing on this site, this game might have scored an eight, possible even a nine.
In fact in what it does, Rayman Advance is pretty much perfect.
The control is tighter and it doesn't seem as unfair as it used to. But the truth is, it works even better on the Gameboy Advance than it did on the playstation (I find the GBA D-pad to be more responsive). I'm sure this is what people would have said if such a topic of conversation ever came up.
#RAYMAN ADVANCE PORTABLE#
'A Playstation game? On a portable machine? It would never work!'. "Still a better game than quite a few others, the developers need something to immerse and involve their players and they need it quick, I'm losing my patience.
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